... on your computer, that is.
On Wednesday I posted about Michael Moore saying it was OK to download pirated copies of his film. I guess that's still OK, and from what I've heard a lot of people have chosen to jump the queue and watch the film this way, in their homes. For some it's practicality (not being able to get out to the cinema) and for others its itching curiousity (wanting to be the first to have seen it). I've got a copy, but it's a pretty poor pirate camcorder job (as I suspect are most of the other copies floating around out there).
If you're considering seeing this film, and you have the capacity to do so, I would very much urge you to see this in the cinema. Not only will you contribute to the success of the film and thereby send a message to the Bush administration, but you will have a much more visceral experience. Seeing this film with a crowd makes it all the more poignant, especially as the crowd gets into it and starts to interact with the film (read: hissing and booing).
This is not a perfect documentary by any stretch of the imagination: it is at times infuriatingly coy and omits facts that might provide counterpoint. But these are inconsequential, as overall the film beats you senseless with the sheer horror of the War on Terror and its many sordid aspects. Several times I felt myself welling up with tears (yes, I was emotionally manipulated, and knowingly so) and other times (such as anytime Bush spoke) I found myself sinking into the chair and grimacing. Everyone I was with came out shaking their heads and muttering "Bastards..."
By far the most moving sequences are those surrounding Lila Lipscomb, the Flint, MI mother of Michael, who was killed in action only 2 weeks after shipping out to Iraq. I won't spoil the experience, but I was genuinely moved by her words and experiences, and I would think you would be hard-pressed to argue that she is not speaking from her heart (in fact someone does try to argue that point and comes off looking like Satan's little sister).
In short, whatever you think of Michael Moore, this is a powerful piece of filmmaking. Go see it.
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